LEARN FASHION DESIGN ONLINE- LAURA VOLPINTESTA, FASHION ILLUSTRATION TRIBE

Ankara Fashion Illustration

African print fashion illustration about Laura Volpintesta
Ankara fashion illustration using Inktense Blocks, Uniball Deluxe waterproof pen, on Bristol Vellum by Laura Volpintesta

Ankara Fashion Illustration…. If you’re passionate about African fashion and Wax Prints, like me, you’ll enjoy this.

Play
 

African print fashion illustration about Laura Volpintesta
Ankara Fashin Illustration , Laura Volpintesta using Adobe Fresco. Dresses by Natacha Baco

Remember that  If you want a better look, zoom in close to see finer details.

Digital fashion sketch, above.

Marker fashion sketch, below

About Laura Volpintesta Marker African print fashion illustration about Laura Volpintesta
Pigment Markers African Print Fashion Illustration, Laura Volpintesta

Ankara Fashion illustration on iPad or Gouache

The approach is the same whether on paper or ipad, I use the same framework and structure for Ankara fashion illustration.

tinted/ toned paper
Tayasui Sketches app for fashion illustration by Laura Volpintesta of , African Wax Print ensemble.

I created today’s fashion illustration last night using Adobe Draw App (now known as Adobe Fresco app when you use the  “vector” brushes)  last night on my iPad Pro with Apple Pencil.

CREATING A COLORED BACKGROUND for your sketch

LASSO TOOL

To create a colored background (tinted paper effect) , I just draw a large closed rectangle with the lasso tool.  

FILL TOOL (PAINT BUCKET)

Then I tap inside the rectangle with the fill tool (paint bucket). 

GOUACHE TECHNIQUE

If I’m working with straight gouache, I would tape my paper down on all four edges with masking tape to keep it flat until dried.

Then, I would use a flat, square brush (“wash brush”) to lay down a flat tone with vertical, then horizontal strokes, then allow to dry.

how to draw ankara fashion llustration african print by laura volpintesta
Adobe Fresco app , fashion sketch by Laura Volpintesta
African print fashion illustration about Laura Volpintesta
Adobe Fresco app wax print skirt by Stella Jean, Illustration by laura Volpintesta

Ankara fashion

Is breathtaking! These stunning fabrics, shapes, and style.

Maybe people are more used to it now, in 1992 as a North American from NYC, it was mind-blowing!

The print (I think this one is called “tortoise shell”) is traditional and I’ve seen it a zillion times in Paris and NYC.

**Still, this is not the kind of Ankara fashion that I saw in Paris.

COLOR!! African print fashion illustration about Laura Volpintesta
Gouache and colored pencils wax print swatch study on bristol by LV

Don’t worry, I’ll share more of those kinds of looks later (hint-they are more traditional, including amazing sculptural headwraps. They’re often more loose fitting too) .

I’ll also be sharing more this year about how African Ankara Fashion changed my life, my aesthetics, and my eye for design in a hundred ways.

In the meantime, I’ll share today’s Ankara Fashion Illustration. It’s a western -styled dress, featuring a gathered dirndl skirt, with a  waistband, and neck tie detailed blouse.

FASHION ILLUSTRATION PROCESS

Below, you’ll see different phases of the Ankara Fashion Illustration process, to help you get inspired to create your own original drawings.

how to draw ankara fashion llustration african print by laura volpintesta
Early stages of the fashion sketch: light wash on colored ground

Digital ankara fashion illustration

Hey, don’t worry– even if you don’t work with digital illustrations, you will catch useful tips that you can use for watercolor, markers or inks.

SKETCH LIGHTLY

First I lightly and loosely pencil sketched out the pose and proportion.

This way, I can always correct or back-track or fix anything that doesn’t feel right before getting detailed.

SHADING YOUR  FASHION ILLUSTRATION

Don’t forget that mapping out major shadows makes major impact on your drawing.

Here you can see that I sketched out the neck tie, and skirt gathers, armhole seams, but also shadows in the skirt.

Shadows affect the look and feel of your ankara fashion illustration more than you can possibly imagine.

Mark my words!!

how to draw ankara fashion llustration african print by laura volpintesta

Next, I moved on to the face and hair

Because I almost ALWAYS do skin tone before ANYTHING else.

It’s not a RULE, it’s a TOOL.

For me, and for anyone, it’s super-helpful to have a “road map” and an approach that you use. It’s like a framework that I can apply to any drawing situation that helps me organize my thoughts.

Another great reason

To start with the face is because faces SAY SO MUCH. (So much, in fact , that I created an entire course especially to teach features, heads, and hair on ipad or digital device).

If you can create a face that you love, you’re more likely to love the whole illustration. I know that sounds weird, but it’s true. It’s a psychological thing. :0)

It was SUPER-FUN to capture the shape and texture of her hair.

Was I overwhelmed by the complex African wax print pattern?

OF COURSE I was. In fact,

I always am. Before I start.

Especially Ankara Fashion.

Once you plot out those largest motifs (and believe me, African prints, wax print fabrics, and imi wax fabrics usually have HUGE motifs.)

BASE COLOR

Did I mention to lay down the base color of your fabric? 

I always do that, but today my background matched my dress so it wasn’t really something I had to think about.

how to draw ankara fashion llustration african print by laura volpintesta

I mean, there is so much going on in there!!

But I always quote Ernest Hemingway for saying “say one true thing”.
Actually, he was talking about writing, but arts are arts!
Expression is expression!
Love is love! And, truth is truth.

IDENTIFY THE DOMINANT COLOR IN THE AFRICAN PRINT

I looked at the photograph of the dress,  and started looking for the largest motifs first:

Where were they? 

How large were they? 

What color were they? 

What did the edges of them look like?

Ankara fashion prints

Are so full of details, textural effects, col.ors, and stimulation!

Don’t worry, take it one step at a time.

Finally, I picked out the most prominent colors and elements of the print and laid them down, one at a time.

That means of the green gets laid down, then all of the blue, then all of the red.

That’s my system!how to draw ankara fashion llustration african print by laura volpintesta

I’m sure so many of you probably already know my background, I tell these stories all the time. PART of my story is that I went to Parsons in Paris in 1992. I thought it would be an amazing experience to be so close to the couture, to experience a different culture and language.

So much happened that year, it was mind-blowing in all of the ways I thought it would be and more.

I learned French, got to know an incredible city, met people from all over the globe.

Also, I sat in at jazz clubs around the city, singing, and saw a lot of jazz greats in concerts, like Abbey Lincoln, Steve Lacey, Archie Shepp, and Joe Henderson.

I even met the amazing African Fashion and society photographer Seydou Keita!

Anyway, I completed my first year of fashion design study there at Parsons Paris. It was amazing to visit all of the boutiques of Parisian designers and couture houses. 

Fortunately we also were encouraged to visit and study the avant -garde and Japanese designers as well, it was a very exciting time for the jeune createurs in 1992.

But what was happening on the STREETS of Paris? For me, it was pretty dull. Just jeans and sweaters.

Fortunately, I did find what I was looking for…. and I found it in the African Fashion

I hope this inspires you to grab a photo and your art supplies and explore.

OR JOIN A COURSE WITH ME!

Click anywhere on this page to learn more about opportunities to learn, grow, and build your techniques, personal style, and portfolio of work.

Love,

Laura

Ps I lost my Apple Pencil this week, so I had to use my 53 pencil which I thought I hated. Well, what do you know… it went alright! 

Apple pencil is much slipperier, and 53 pencil stylus is very sticky so it takes more muscle to move fast. 53 pencil also has a larger, clunkier tip.

I’m also including an example of the illustration below without a filter on it… the image at the top has an instagram filter on it that I thought gave a cool after-effect so I used it for fun.

follow me for tips, info and inspo! at https://instagram.com/lauravolpintesta


Leave a Comment

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Scroll to Top