Watercolor wash Techniques using Tombow Brush Tip Marker
Today’s post is going to look at some of the range and possibilities available to you when you explore watercolor wash with markers for your fashion drawing!
This sketch above was a demonstration that happened in class session today- first. I sketched the model’s figure lightly in pencil. Once I felt like I had built her whole body , Ideilineated the proportion, size, shape, and details of the outfit so I had a “map” to follow when I went in with marker.
*** PRO TIP: Even though I often start with pencil, that doesn’t mean I erase. I almost never erase! It’s a much more valuable skill to sketch super super lightly. If you prohibit yourself erasing, you’ll find that you automatically will develop the skill to sketch softly/faintly first. *******
After my pencil plan was laid out, I grabbed the Tombow Watersoluble Brush marker (“dual tip”) -if you look to the right of the image above, you’ll see a “ribbon” of grey to the right of my sketch. That’s my demonstration- giving you an illustration of the range of my brush tip marker! From super thin to super thick.
When I started inking my sketch I laid down the lightest, most delicate lines (fingers, ruffles, features) then went in with the thicker dark ones to add crispness, depth, contrast, and to separate layers. I also looked for areas where I could lay down dark tone shapes such as hair or large shadow
****Can you visually pick out these areas in the sketch above?*****
Just add water
The MAGIC really happened so fast when I added clean water with a brush! I always use a round, pointed brush to paint but I knew this group of students had flat square brushes so I used the same- and loved how quickly the areas became full of tone! The shimmery sheen of the fabric came to life when I added water, and the shadows blended into the grey of the suit.
I left the skin, buttons, and pleated ruffle trim white so that it would really pop and contrast with the other fabric in this suit by Pintel. I wish I could show you what this looked like before the water was added to see and feel the difference.
What exactly IS a watercolor wash?
A wash is a diluted, sheer tone created from (usually) watercolor. A brush loaded with clear, clean water can be used to spread out the pigments that your marker lines are holding, and spread to soften them into a transparent tone. In Fashion Sketch Group this week as well as in my college classes I had students explore the range of this unique expressive capability.. Spending time getting experienced with a technique leads to embodiment– it becomes a natural part of your process through experience.
(pssssss- I also love to do watersoluble graphite for watercolor wash fashion drawing effect but that will have to be a future post…. subscribe to stay in the loop!)
TOMBOW BRUSH PEN SKETCHES WITH WATER APPLIED WITH A BRUSH
Compared with the “before” image below, notice how a few broad strokes of watercolor wash made a huge difference in the feel of the fashion sketch. WHAT DO YOU PREFER? There isn’t a right or wrong answer here.
Just notice how each technique/effect makes you feel, and consider which situations would call for which technique, in your opinion.
THE IMMEDIATE IMPACT OF SHADING
To further emphasize the MASSIVE VERSATILITY of brush tip watercolor marker wash for fashion illustrations, compare now with the fashion drawing below of a circle skirt , with all of its ripples, flounces and flares, and WITHOUT the watercolor wash effect.
All of the circular flare is illustrated with chunky shapes that taper from wide and thick, to thin… almost like long, skinny triangles (cones, actually)! Also it’s great at articulating the ripples of the hem, the sleeve cuffs, wrap front, collar, and grosgrain ribbon belt! (Dress by Stella Jean with African print headscarf)
This time you can see how the Tombow watercolor marker with a brush tip was used again, but then I came quickly with my clean wet brush and created a watercolor wash from my lines, below.
It’s a whole different feeling!
And in this case, I used a round and pointed brush.
***PRO TIP: The excessive page wrinkling in the second drawing below comes from the fact that I was just using sketch paper.
Use Bristol vellum or watercolor paper for a smooth page finish by taping down all of the edges before you sketch, and don’t remove until your watercolor is all dry.
Again I left the skin plain white as paper, but united the whole dress in grey as the focal point of my fashion drawing with the watercolor wash. Notice how the grey tone (the dress was a very pale grey) makes the dress feel much more fabric like and alive with movement and flow!
THE FLOW OF WET MEDIA This is the magic of wet media.
(Also, note that I used a dark grey watercolor marker- it wasn’t black to begin with.
I KNOW:
Brush tip marker is a big difference from using just flat line, but your line itself deserves plenty of attention.
I would recommend explore wash as well as pure line drawings, maybe on different days, to notice the way you feel as you use each technique for different situations and results.
ANOTHER WAY TO EXPLORE
I’ll need to find an example in my archives to share with you later, but I LOVE to buy WATER SOLUBLE GRAPHITE PENCILS to play with a similar technique. Sketch in soft pencil, then use a wet brush to add fluid shadows, I ADORE THIS EFFECT AS WELL for fashion illustrations!
Black Tombow watercolor brush marker
Join me in a self study like Model Drawing Magic or a group live program Fashion Sketch Group or Body Language for a deeper dive with support and encouragement! YOU CAN BEGIN TODAY!
Love, Laura
Laura Volpintesta, Founder, Fashion Illustration Tribe, an online fashion illustration and design learning platform after 25 years teaching Fashion Design at Parsons School of Design in NYC and creating their first fully online studio course in 2008. Author of the Language of Fashion Design, co- Author of the Fashion Designer’s Reference and Specifications Manual , mom to 3, and Brazilian jazz and samba singer.
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