Tafetta rosebud bodice and skirt with jacket, Holiday eveningwear fashion illustration by laura Volpintesta

Capturing Mood: Fashion Illustration

DRAMA AND MOOD drive Fashion Illustration

…and of course the more we understand the fine details in the clothing,

…and the more we understand how to render prints  and surface textures,

…and the more we understand HOW CLOTHING IS MADE and put together

…and the more comfortable we are with capturing faces and hairstyles,

and the more we understand our art supplies and techniques and how color works,…

…and the  way the human figure and body moves and functions.

THESE FOUNDATIONS ALL give us more and more freedom to express the drama and mood in fashion illustration.

CREATING Fashion Mood through TEXTURE

The texture of the tafetta roses, gathered and  flared skirt, as well as the volume of the jacket in this evening dress (or, carnaval costume?), are all expressed dramatically here through CONTOUR LINES (notice how the lines veer off of the colored shapes of the clothing. )

#1 TIP:
Line quality is much more visible when it has distance from the base color OR when it is contrasting (dark color over a light base or a light line drawn over a dark garment to show seams, etc) 

Tafetta rosebud bodice and skirt with jacket, Holiday eveningwear fashion illustration by laura Volpintesta
gouache and pencil fashion illustration by Laura Volpintesta

#2 TIP:
Notice deep shadows on the pink base or green base. Also notice the white areas in the midst of the pink shapes, near the lines, or highlights on her green tights. HIGHLIGHTS and DEEP SHADOWS work together to create the feeling of shiny fabrics. 

CREATING FASHION MOOD THROUGH DRAMA

Drama and mood in fashion illustrations! marker fashion illustration by Laura Volpintesta using dual-tip brush marker and design marker
Markers fashion illustration /Laura Volpintesta

As we just discussed, high contrasts catch attention. Here using a bold,  black brush tip pen versus a fine line felt tip pen created drama and a more jarring mood. 

Not only is there a contrast in the light and dark values of colors, but also in the thick versus thin lines.  

Also I used a very dry tipped marker contrasting with very wet, loaded markers. 

TIP #3
Contrasts give a lot of visual interest on the page that keeps the viewer engaged and interested- and you, too.

TIP#4 COMPOSITION and PROPORTION: Pay attention to how WIDE the pose truly is (if drawing from observation) versus how tall it is.  USE THE WHOLE PAGE! The figure’s pose, the volume of the garment (if applicable) and background elements like shadows, horizon lines or plants etc) can engage you with the WHOLE width of the page, not only the center vertical.

SOFTNESS AS DRAMA in Fashion Illustrations

While being LOUD can attract attention, isn’t it so interesting how softness attracts in another way?

Notice how this very soft sketch can make us slow down and linger a moment to take a closer look.

Here is used a very soft colored beige pencil to map out the proportions, movement, and features of the pantsuit. 

PRO TIP #5
The colored pencil was too soft to be effective, so  I came in at the last few seconds of the drawing with a crisp pencil line to give her definition

 

I’m considering how her body is moving at the same time I’m paying attention to how the clothing fits closely and where it releases into soft drapes. (CONTRAST, again).

I also loved the BALANCE in this look: while the spiraling rosettes are on the right side of the  fashion silhouette ,… while the volume of her hair is off to the opposite side!

Like wise, a fitted waist is playing off of a more loosely draped bodice and pant.

PRO TIP #6:
Working from research and inspiration images that strongly remind you what you love, help you capture that kind of mood that is so exciting.

MOOD AND MODELS IN FASHION DRAWING:

Fashion Model figure drawing exercises layout by laura Volpintesta in colored pencil
Colored Pencil Fashion/costume figure drawings. Fashion ILlustration by Laura Volpintesta

Getting comfortable with model drawing and figure drawing is your superpower in fashion drawing.

And isn’t it wonderful that model drawing is not only just that, but it’s the most engaging way to learn drawing, PERIOD!

I can’t imagine a subject more compelling than the human. The human form itself is so beautiful, and its expressions are the language that we are most affected by emotionally and psychologically as SOCIAL CREATURES that we are!

DIVE INTO THE DRAMA OF FASHION DRAWING AND DESIGNING

Sheer, fringed stretch tulle dress fashion illustration in red colored pencil and gouache, Illustration by Laura Volpintesta
Model Drawing study: colored pencil with a wash of gouache by laura volpintesta

I’ve linked my fashion drawing , design and illustrations courses throughout this page to set you on your way.

There are also resource pages, tutorials and lessons linked all over this page to additional articles to get you going!

If you consider starting your journey now, and can’t decide which course to begin with, YOU CANNOT GO WRONG. 

PRO TIP#7:

The key is to START, to BEGIN, and to embody and EXPERIENCE these new discoveries and literacies through ENGAGING WITH THEM.
This is why I am such a proponent of self-motivated and PROJECT BASED experiential learning to get you where you want to go.

BASED ON almost THREE DECADES teaching in one of the worlds most reknowned fashion design programs during its golden era of high standards in craftsmanship and techniques, I am here to pass it all on to you with all of the love and passion that I feel for this subject .

Fashion will not die as long as we take care of it.

Fashion, textiles, needle arts and clothing have come so far with our ancestors and they were always making, crafting beautiful clothing and home goods, generation after generation, for the functional qualities as well as the art, culture and spirit that fashion has always played in our lives.

Let’s go?

Love,
Laura

 

Movement and Flow are Magical

PRO TIP #8:

Allow yourself to be absolutely swept away by the immediate feeling you get when you look at something, touch it, or think of it, before THOUGHT takes over..

You can move forward analyzing and planning, but not without having immersed yourself in the realm of imagination and emotion FIRST because this energy and flow is what makes your designs and sketches LIVE AND BREATHE with meaning and relevance.

Model in Backless red dress with wide bell mid-length sleeves, illustrated by Laura volpintesta in Gaouche wash with pencil
Pencil sketch with wash of gouache, drawing by Laura Volpintesta
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